PETER HANDKE – BIN IM WALD. KANN SEIN, DASS ICH MICH VERSPÄTE... photo copryright zero one film

PETER HANDKE — BIN IM WALD. KANN SEIN, DASS ICH MICH VERSPÄTE...

PETER HANDKE — IN THE WOODS, MIGHT BE LATE

In her new documentary, filmmaker Corinna Belz explores the enigma that is Peter Handke. His book titles read like the tunes on a jukebox, like the watchwords of several successive generations of readers: Offending the Audience, The Goalkeeper’s Fear of the Penalty, A Sorrow Beyond Dreams, Short Letter, Long Farewell, and The Weight of the World. In the 60s, Handke showed how to walk the walk of the author-cum-popstar. Yet the moment he made the bestseller lists, he turned his back on all that. He went travel­ing, taking his readers along with him, into the rhythm and precision of his language, the long, pulsating sentences, the invention and examination of reality. The film shows Handke as a young man and in his daily life today, always devoted to language, posing the burning questions: Where are we now? And, to quote one of his early films: How to live?

Director

CORINNA BELZ has written, directed and produced numerous TV and feature films, including: LIFE AFTER MICROSOFT (2001), OTHER AMERICAN VOICES (2002), DREI WÜNSCHE (2005), DAS KÖLNER DOMFENSTER (2007), and GERHARD RICHTER PAINTING (2011).

photo © zero one film
  • Locarno 2016 (Fuori Concorso)

    Genre
    Doc
  • CATEGORY
    Documentary
  • YEAR OF PRODUCTION
    2016
  • DIRECTOR
    Corinna Belz
  • CINEMATOGRAPHY
    Nina Wesemann, Axel Schneppat, Piotr Rosolowski
  • PRODUCER
    Thomas Kufus
  • PRODUCTION COMPANY
    zero one film
  • RUNTIME
    89 min
  • LANGUAGE
    German, French
  • FESTIVALS
    Locarno 2016 (Fuori Concorso)
  • Sales
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